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Frederick Douglass: Profeta da liberdade revela partes desconhecidas da vida do abolicionista


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Com Meghna Chakrabarti

Frederick Douglass foi um feroz crítico dos Estados Unidos, um patriota radical e um abolicionista que foi anteriormente escravizado. Uma nova biografia lança luz sobre os cantos menos conhecidos da vida de Douglass.

Convidado
David Blight, professor, acadêmico e historiador público. Diretor do Centro Gilder Lehrman para o Estudo da Escravidão, Resistência e Abolição na Universidade de Yale. Autor de muitos livros sobre Frederick Douglass, sendo o mais recente “Frederick Douglass: Prophet of Freedom”.

Da lista de leitura
Trecho de “Frederick Douglass: Profeta da Liberdade” por David Blight

Eis que pus as minhas palavras na tua boca. . .

arrancar e quebrar, destruir e derrubar,  para construir e plantar.
JEREMIAS 1: 9–10

Em seu discurso na dedicação do Museu Nacional de História e Cultura Afro-Americana em Washington, DC, em 24 de setembro de 2016, o Presidente Barack Obama proferiu o que chamou de “visão clara” de uma história trágica e triunfante de negros americanos em os Estados Unidos. Ele falou de uma história que é central para a história americana maior, que é ao mesmo tempo contraditória e extraordinária. Ele comparou a experiência afro-americana às infinitas profundezas de Shakespeare e das Escrituras. A “adoção da verdade da melhor forma que pudermos saber”, disse o presidente, é “onde está o verdadeiro patriotismo”. Nomeando alguns dos principais pivôs do passado do país, Obama encerrou seu tema central em uma frase notável sobre a era da Guerra Civil. : “Abocamos nossa tristeza da União para nos unirmos à luta por nossa liberdade, lutamos contra a injustiça por décadas e décadas, uma vida inteira de luta, progresso e esclarecimento que vemos gravada no poderoso olhar leonino de Frederick Douglass.” 1

Como os americanos reagem ao olhar de Douglass, de fato, como olhamos para seu rosto e, mais importante, como o lemos, o apropriamos ou engajamos em seus legados, informa como usamos nosso passado para determinar quem somos. A vida e a escrita de Douglass emergem de quase todo o escopo do século XIX, representativo do melhor e do pior do espírito americano. Douglass constantemente sondou as ironias das contradições americanas sobre a escravidão e a raça; poucos americanos usaram Shakespeare e a Bíblia para compreender sua história e a de seu povo tanto quanto Douglass; e pode não haver melhor exemplo de um patriota radical americano do que o escravo que se tornou um profeta lírico de liberdade, direitos naturais e igualdade humana. Obama canalizou Douglass em seu discurso de dedicação; conscientemente ou não, o mesmo acontece com muitas pessoas hoje em dia.

Nascido Frederick Augustus Washington Bailey, um escravo, em Talbot County, Maryland, em fevereiro de 1818, o futuro Frederick Douglass era filho de Harriet Bailey, uma das cinco filhas de Betsy Bailey, e com alguma probabilidade o dono branco de sua mãe. Ele viu sua mãe pela última vez em 1825, embora ele mal a conhecesse. Ela morreu no ano seguinte. Douglass viveu vinte anos como escravo e quase nove anos como escravo fugitivo, sujeito a recaptura. Da década de 1840 até sua morte em 1895, ele alcançou fama internacional como um abolicionista, editor, orador de estatura quase inigualável, e autor de três autobiografias que são clássicos do gênero. Como homem público, iniciou sua carreira abolicionista duas décadas antes de os Estados Unidos se dividirem e travarem uma guerra civil pela escravidão que ele abertamente acolheu. Douglass nasceu em um remanso da sociedade escravista do Sul, assim como os barcos a vapor surgiram nas baías e nos rios americanos, e antes que o telégrafo, a ferrovia e a imprensa rotativa mudassem a mobilidade e a consciência humanas. Ele morreu após o surgimento das luzes elétricas, do telefone e da invenção do fonógrafo. O renomado orador e viajante amava e usava a maioria desses elementos da modernidade e da tecnologia.

Douglass foi o americano mais fotografado do século XIX, explicado neste livro e especialmente pela intrépida pesquisa de três outros estudiosos em que confio.2 Embora nunca possa ser realmente medido, ele também pode ter sido, junto com Mark Twain, o mais amplamente viajado figura pública americana de seu século. Na década de 1890, em quilômetros e inúmeros discursos, ele tinha poucos rivais como conferencista na idade de ouro da oratória. É provável que mais americanos ouviram Douglass falar do que qualquer outra figura pública de sua época. De fato, ver ou ouvir Douglass tornou-se uma espécie de maravilha do mundo americano. Ele lutou também, com os prazeres e perigos da fama, tanto quanto qualquer outra pessoa em seu século, com as possíveis exceções do general Ulysses S. Grant ou P. T. Barnum. O dilema de Douglass com a fama foi uma questão de décadas, não apenas de momentos, e repleta de racismo.

Uma nova biografia de David Blight lança luz sobre os cantos menos conhecidos de Frederick Douglass

“O que para o escravo é o quarto de julho?” Esse é o título revelador de um discurso que o estadista negro e abolicionista Frederick Douglass proferiu em 5 de julho de 1852 em Rochester, N.Y.

 

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With Meghna Chakrabarti

Frederick Douglass was a fierce critic of America, a radical patriot and an abolitionist who was formerly enslaved. A new biography sheds light on the lesser-known corners of Douglass’ life.

Guest

David Blight, professor, scholar and public historian. Director of the Gilder Lehrman Center for the Study of Slavery, Resistance, and the Abolition at Yale University. Author of many books on Frederick Douglass, the most recent being “Frederick Douglass: Prophet of Freedom.”

From The

Behold, I have put my words in your mouth . . .

to pluck up and to break down,

to destroy and to overthrow,

to build and to plant.

—JEREMIAH 1:9–10

In his speech at the dedication of the National Museum of African American History and Culture in Washington, DC, September 24, 2016, President Barack Obama delivered what he termed a “clear-eyed view” of a tragic and triumphant history of black Americans in the United States. He spoke of a history that is central to the larger American story, one that is both contradictory and extraordinary. He likened the African American experience to the infinite depths of Shakespeare and Scripture. The “embrace of truth as best we can know it,” said the president, is “where real patriotism lies.” Naming some of the major pivots of the country’s past, Obama wrapped his central theme in a remarkable sentence about the Civil War era: “We’ve buttoned up our Union blues to join the fight for our freedom, we’ve railed against injustice for decade upon decade, a lifetime of struggle and progress and enlightenment that we see etched in Frederick Douglass’s mighty leonine gaze.”1

How Americans react to Douglass’s gaze, indeed how we gaze back at his visage, and more important, how we read him, appropriate him, or engage his legacies, informs how we use our past to determine who we are. Douglass’s life and writing emerge from nearly the full scope of the nineteenth century, representative of the best and the worst in the American spirit. Douglass constantly probed the ironies of America’s contradictions over slavery and race; few Americans used Shakespeare and the Bible to comprehend his story and that of his people as much as Douglass; and there may be no better example of an American radical patriot than the slave who became a lyrical prophet of freedom, natural rights, and human equality. Obama channeled Douglass in his dedication speech; knowingly or not, so do many people today.

Born Frederick Augustus Washington Bailey, a slave, in Talbot County, Maryland, in February 1818, the future Frederick Douglass was the son of Harriet Bailey, one of five daughters of Betsy Bailey, and with some likelihood his mother’s white owner. He saw his mother for the last time in 1825, though he hardly knew her. She died the following year. Douglass lived twenty years as a slave and nearly nine years as a fugitive slave subject to recapture. From the 1840s to his death in 1895 he attained international fame as an abolitionist, editor, orator of almost unparalleled stature, and the author of three autobiographies that are classics of the genre. As a public man he began his abolitionist career two decades before America would divide and fight a civil war over slavery that he openly welcomed. Douglass was born in a backwater of the slave society of the South just as steamboats appeared in bays and on American rivers, and before the telegraph, the railroad, and the rotary press changed human mobility and consciousness. He died after the emergence of electric lights, the telephone, and the invention of the phonograph. The renowned orator and traveler loved and used most of these elements of modernity and technology.

Douglass was the most photographed American of the nineteenth century, explained in this book and especially by the intrepid research of three other scholars I rely upon.2 Although it can never really be measured, he may also have been, along with Mark Twain, the most widely traveled American public figure of his century. By the 1890s, in sheer miles and countless numbers of speeches, he had few rivals as a lecturer in the golden age of oratory. It is likely that more Americans heard Douglass speak than any other public figure of his times. Indeed, to see or hear Douglass became a kind of wonder of the American world. He struggled as well, with the pleasures and perils of fame as much as anyone else in his century, with the possible exceptions of General Ulysses S. Grant or P. T. Barnum. Douglass’s dilemma with fame was a matter of decades, not merely of moments, and fraught with racism.

A new biography by David Blight sheds light on the lesser-known corners of Frederick Douglass' life. (Courtesy of Simon and Schuster)
A new biography by David Blight sheds light on the lesser-known corners of Frederick Douglass’ life. (Courtesy of Simon and Schuster)

The orator and writer lived to see and interpret black emancipation, to work actively for women’s rights long before they were achieved, to realize the civil rights triumphs and tragedies of Reconstruction, and to witness and contribute to America’s economic and international expansion in the Gilded Age. He lived to the age of lynching and Jim Crow laws, when America collapsed into retreat from the very victories and revolutions in race relations he had helped to win. He played a pivotal role in America’s Second Founding out of the apocalypse of the Civil War, and he very much wished to see himself as a founder and a defender of the Second American Republic.

In one lifetime of antislavery, literary, and political activism Douglass was many things, and this set of apparent paradoxes make his story so attractive to biographers, as well as to so many constituencies today. He was a radical thinker and a proponent of classic nineteenth-century political liberalism; at different times he hated and loved his country; he was a ferocious critic of the United States and all of its hypocrisies, but also, after emancipation, became a government bureaucrat, a diplomat, and a voice for territorial expansion; he strongly believed in self-reliance and demanded an activist-interventionist government at all levels to free slaves, defeat the Confederacy, and protect black citizens against terror and discrimination. Douglass was a serious constitutional thinker, and few Americans have ever analyzed race with more poignancy and nuance than this mostly self-taught genius with words. He was a radical editor, writer, and activist, informed by a hard-earned pragmatism. Douglass was Jim-Crowed more times than he could count, but loved the Declaration of Independence, the natural-rights tradition, and especially the reinvented US Constitution fashioned in Reconstruction. He fought against mob violence, but believed in certain kinds of revolutionary violence. In his own career he heroically tried to forge a livelihood with his voice and pen, but fundamentally was not a self-made man, an image and symbol he touted in a famous speech, and through which modern conservatives have adopted him as a proponent of individualism. He truly believed women were equal and ought to have all fundamental rights, but he conducted his personal life sometimes as a patriarch in a difficult marriage and while overseeing a large, often dysfunctional extended family.

Context and timing are often all. As James Baldwin wrote in 1948, casting sentiment and celebration aside, “Frederick Douglass was first of all a man—honest within the limitations of his character and his time, quite frequently misguided, sometimes pompous, gifted but not always a hero, and no saint at all.” Baldwin’s unabashed bluntness is a good place for a biographer to begin to make judgments from the sources. But so are the interpretations of a very different writer, the former neoconservative turned neoliberal journalist and political theorist Michael Lind. In 1995 Lind rejected both a leftist multiculturalism and a conservative self-help individualism and called for a “new nationalism,” which he termed a “multiracial/mixed race Trans-America,” with Douglass as the model. Telescoping the orator though time, Lind called Douglass “the greatest American of all time.”

Indeed the old fugitive slave has become in the early twenty-first century a malleable figure adopted by all elements in the political spectrum, not least by current Republicans, who have claimed Douglass—quite ahistorically—as their own by elevating a single feature of his thought, black self-reliance, at the expense of his enduring radicalism. At the unveiling ceremony of the statue of Douglass in the US Capitol in 2013, chosen by the District of Columbia as one of the two representatives to which each state, and the District, are entitled, congressional Republicans walked around proudly sporting large buttons that read FREDERICK DOUGLASS WAS A REPUBLICAN.3 Douglass descendants present, as well as some of us scholars with, shall we say, different training and research, smiled and endured. Whose Douglass? is a modern question rife with meaning.

This book seeks Douglass’s complexity in all its forms, but never sidesteps his essential radicalism in a search for heroes we can hold dear and in common. Douglass was and is a hero; he has been all but adopted as a national figure in Ireland, Scotland, and Britain. His Narrative is read all over the world. He has appeared in countless murals, satirical political cartoons, twenty-first-century works of fiction, in paintings, and in a great deal of poetry. The sheer complexity of his thought and life makes him an icon held in some degree of commonality. He was brilliant, courageous, and possessed a truly uncommon endurance. He wrote many words that will last forever. His literary genius ranks with that of many of America’s greatest writers of his century. But he was also vain, arrogant at times, and hypersensitive to slights. He did not take well to rivals who challenged his position as the greatest spokesman of his race, although he also mentored many younger black writers and leaders. He liked being on a pedestal and did not intend to get knocked off. Douglass was thoroughly and beautifully human.

Above all, Douglass is remembered most for telling his personal story—the slave who willed his own freedom, mastered the master’s language, saw to the core of the meaning of slavery, both for individuals and for the nation, and then captured the multiple meanings of freedom—as idea and reality, of mind and body—as perhaps no one else ever has in America.

From the book FREDERICK DOUGLASS: Prophet of Freedom by David Blight. Copyright © 2018 by David Blight. Reprinted by permission of Simon & Schuster, Inc. All Rights Reserved.

The New Yorker: “The Prophetic Pragmatism of Frederick Douglass” –– “Frederick Douglass, who has been called the greatest American of the nineteenth century, grew up as a slave named Frederick Bailey, and the story of how he named himself in freedom shows how complicated his life, and his world, always was. Frederick’s father, as David W. Blight shows in his extraordinary new biography, “Frederick Douglass: Prophet of Freedom” (Simon & Schuster), was almost certainly white, as Douglass knew early on, and there is something almost cruelly parodic in the grand name the child slave was given: Frederick Augustus Washington Bailey. Escaping to freedom in 1838, at the age of twenty, and needing a new name—in part as a declaration of a reinvented self, in part for the practical necessity of eluding the slave-catchers—he chose to become Frederick Douglass, in honor of a character in a Walter Scott poem. (He added an extra “s” for distinction.)

The Guardian: “David Blight on Frederick Douglass: ‘I call him beautifully human’” –– “David Blight arrives in New York pulling his carry-on luggage, en route from Washington, soon to fly onwards to San Francisco. Such is the interest in his new biography of Frederick Douglass, a book 10 years in the writing and a whole career in the making, he will be on the road till December.

“He takes off his lovingly battered Michigan State cap, picks up a coffee and sits down for another conversation.

“I’m lucky there’s so much interest,” he says, “and I’m lucky to have a publisher that really cares to send me around. I’ve never done a book tour like this.”

“Not many Yale professors have. But Blight’s perseverance is entirely befitting of his subject. Douglass’s struggle against slavery and for black equality threads through 19th-century America, from plantation to whaling port, from the pulpits of Boston to the battlefields of bloody Virginia. In stunning detail, with literary verve appropriate to his subject, Blight has written a scholarly biography that often reads like a novel by Melville.”

This program aired on July 24, 2019.